Norse Gods get an upgrade

Too Human is the title of an upcoming game in which the player will be taking on the role of Baldur, one of the Aesir. However, these gods are not all they are told to be in the mythology. Instead of being actual supernatural creatures, they are cybernetically enhanced humans. Baldur [son of Odin] is seen as being insufficiently advanced, and is thusly labeled "too human."

Wikipedia informs me in its article:
In Too Human, the Norse gods are cybernetically enhanced humans. Baldur, son of Odin, is one of these gods and it is his duty to protect the human race from an onslaught of an advancing machine presence determined to eradicate all human life.
The story chronicles the ongoing struggle between cybernetic Norse gods, the invading machine presence and mortal men, it features many Norse gods and characters from Norse mythology including Thor, Loki, Odin, Heimdall, Freyja, and Mimir. Yggdrasil: the tree of life acts as a gateway to an alternate world known as Cyberspace that is accessed through the advanced technology of the gods.The human gods are using cybernetic implants to supplement their own abilities, thus becoming more machine like. Conversely, the advancing machine army is harvesting human blood and limbs in an attempt to become more human.

Until the game is released, later this month, there will be little more for me to say about it. Also, I do not have a 360, the creator's platform of choice, and will have to wait to steal...er...borrow my brother's in order to have a chance to play. The game is being released in trilogy format, further slowing my understanding of it's use of the actual mythology. What I ask here is this:

By bastardizing mythology with technology and turning it into a video game, are we exploiting our cultural pasts for sheer entertainment, or are we, perhaps, utilizing a modern medium to bring our culture's elder foundations to a new generation? Or is it both?

In conclusion, I leave you this, because it was the only non-mature trailer I could find that was of decent quality.

And I thought it was funny.

Sir Gawain and the Gush of Translations...

Today in my email I received a link to a new "innovative translation of Sir Gawain and the Green Knight" by Adam Golaski (professor of creative writing at the University of Connecticut), which he has titled Green. So far, Golaski's released on section a month, started in December: here is fit one, part one; here is fit one, part two.

I also recently bought the new (and also acclaimed as innovative) translation of Sir Gawain and the Green Knight by Simon Armitage (W. W. Norton, 2007), and have so far read about the first fit.

Why all the surge of Sir Gawain? I don't know, but he (and his poem) seems to be gaining popularity in the public eye. Perhaps he'll start giving Beowulf a run for his money, although that might take a major motion picture release, and we haven't seen (or hear rumors of ) one of those since 1984 (film title: Sword of the Valiant: The Legend of Sir Gawain and the Green Knight). I'm interested in people's thoughts on this: either about the growing popularity of the Middle English poem or about the translations. As Gawain himself would say, "Haf at þe þenne!"

[Cross-posted at Point of Know Return.]

Gift from God or mark of the beast?

Or maybe not either extreme...I just wanted to get this link out for somethoughts on Amazon's new Kindle. Please, my friends and fellow bibliophiles, go and read some of the page and watch their little videos.

How does one react?

[The wannabe-independent-bookstore-owner in me cries out in frustration and despair.]

Prevailing Poetry...

In case any of you are interested, I've posted the contents of my paper presentation about representations of Beowulf in popular culture over at Point of Know Return. It's a three-part series, in light of the upcoming movie.

While visions of Grendel danced in their heads...

Recently, I was talking to a colleague in the medieval studies department here at UConn about the new Beowulf movie, and we hit upon what we think is a very interesting project to undertake. As happy (or unhappy, for some people) as we are to see Anglo-Saxon literature hitting the big screen, it will, like all movies, present an interpretation of the material that will influence a far greater audience than any of the others. Because of this, my friend and I proposed the Grendel Drawing Project to our department. In the same spirit, I'm also proposing the project to readers and contributors of this blog in the hopes that you all will help me in this effort.

Grendel is not described in much detail in the Anglo-Saxon text, and because of this, readers' conceptions of him vary widely. So what does your Grendel look like? Because of this, I'm looking to get as many people as possible to draw Grendel for me, using whatever media they wish. It does not matter whether you can draw well or not--we simply want to see your version. I'd like to use these images in a future project, probably as part of my ongoing fascination with the Beowulf story in popular consciousness. I'm interested (before the movie taints your visions of Grendel) in how many people view the creature in their minds.

I know it's a busy part of the semester for everyone, but in the next few weeks, could you take time out of your schedule to draw up your vision of Grendel? This is supposed to be a fun project, so let your imagination loose! Please feel free to spread the word, too (as I could use images from anyone who has read the poem). If you find the time, email your image to me at: brandonwhawk [at] gmail [dot] com.

[Cross-posted at Point of Know Return.]